MANHATTAN: AN ARCHAEOLOGY

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MANHATTAN: An Archaeology
Paloma Press
ISBN: 978-1-365-87509-0
Publisher’s Book Page
Release Date: Fall 2017
Pages: 128
Price: $40.00 (see Pre-Release Offer below for 50% discounted price)
Distributors: Paloma Press, Amazon, Among Others

BOOK TRAILER: https://youtu.be/2rm_hNiUcAs

BOOK DESCRIPTION:
MANHATTAN: An Archeology presents Eileen R. Tabios’ latest innovative approach to poetry-making. In this book, she uses a diverse set of “artifacts” to excavate a version of New York City’s historical birthplace. Artifacts include the unexpected and the ineffable to create a city only she can imagine—while they include a pearl necklace, piece of pineapple skin, yoga mat, black sateen, and bullet, the “objects” for perusal also range over moonlight, “withheld forgiveness,” and duende. The result, too, is unexpected and ineffable: Poetry that delights and intrigues. Some receptive readers will wake from the book missing something they hadn’t realized they missed, longing for something they hadn’t realized they desired.

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A PRE-RELEASE SPECIAL!
Paloma Press is pleased to announce A PRE-RELEASE SPECIAL OFFER for  MANHATTAN: An Archaeology by award-winning poet Eileen R. Tabios. While MANHATTAN will not be officially released until this Fall, we are now open to taking orders at a special discounted price. The book’s PRE-RELEASE Price is $20, a 50% discount from its retail price of $40. Email editor@palomapress.net for more information.

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ADVANCE WORDS:
In archeology, we sift through distances to locate ourselves in these elapsed fragments.  Here in Eileen Tabios’ new book, Manhattan is our test pit, and Clyfford Still stabilizes the walls adding to

the grace of the make-believe city.

Tabios employs many selves and their debris as her diagnostic artifacts. She lays these items on the table of the first poem, and continues to examine them as subsequent pieces sumptuously unfold, each relic luminous under view, chatoyant.  Manhattan becomes the reliquary to hold the past under Tabios’ ecstatic mastery, also the side of the pool to push off from into other worlds, also the ruined stage set of a past self.

to transcend your context
—yet again—

Tabios’ book is an exquisite form of personal forensics and resurrection.
—Anne Gorrick, author of THE OLFACTIONS: Poems on Perfume

Eileen Tabios’ prolific architectonics creates a megalopolis of myriad images, towering as iconic artifacts, graphic as ecstasy. From ziggurats to echoes of flamenco, urban demographics to undulations of body language, the poet strips and strews words from a vocabulary of fabrics. Gestural volubility is unleashed to camouflage the adoration of mischief. Hers is the infinite spin of a world-whirling dervish.
—Alfred A. Yuson, author of The Music Child & The Mahjong Queen

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REVIEW:
Though titled Manhattan, this collection is not about the city so much as the people who inhabit a “make-believe” location of cultural moshing. Tabios begins with an index of urban artifacts — a yoga mat, a piece of pineapple skin, a bottle of Seconal, a hundred-dollar bill — and follows this chain through the nuanced characters of her poetry. What we get in Manhattan an Archeology is a snapshot of faces: the privileged, the immigrants, the dead who still trudge to work, and the fluctuating smiles of the blissfully lost. The text explores “camouflage identity” in a place of amalgamation, where sense of self fractures and is pieced artificially together again. Tabios shifts her poetic form, dallying in prose and art, to create the “possibility instability promised-land of a huge city.”
—Brianne Alphonso, Jacket2, July 2017

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MANHATTAN: An Archaeology also features the digital art media of Aileen Cassinetto.      Flowing through the book will be her 2017 “Four Seasons” suite:

“Spring”

“Summer”

“Fall”

“Winter”

Credits:

“Spring,” Digital Mixed Media inspired by “Atalanta”/”Scarf of Nike” by Paul Manship (Public Domain, Smithsonian Institute) and PH-118, 1947-R-No.1, 1938-N-No.1, 1944-N No. 1 by Clyfford Still (Fair Use).

“Summer,” Digital Mixed Media inspired by “Red Flamenco” by Patrick McDonald (via Flickr licensed under CC BY 4.0) and PH-118, 1947-R-No.1, 1938-N-No.1, 1944-N No. 1 by Clyfford Still (Fair Use).

“Fall,” Digital Mixed Media inspired by “Fearless Girl and Charging Bull” by J J (via Flickr licensed under CC BY 4.0) and PH-118, 1947-R-No.1, 1938-N-No.1, 1944-N No. 1 by Clyfford Still (Fair Use).

“Winter” by Digital Mixed Media inspired by “Eternal Spring” by Thomas Hawk (via Flickr licensed under CC BY 4.0) and “Golden Archer” by Stanley Zimney (via Flickr licensed under CC BY 4.0) and PH-118, 1947-R-No.1, 1938-N-No.1, 1944-N No. 1 by Clyfford Still (Fair Use).